Joni Mitchell
Accords et partitions
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Big Yellow TaxiE A A/E A6 B B6
GUITAR TUNING: Intro : They've paved paradise and put up a parking lot
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A Case Of YouG D Em Am7 C Bm
Just before our love got lost you said "I am as constant as a northern star" And I said, "Constantly in the darkness Where's that at? If you want me I'll be in the bar"
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Both Sides NowG C Am7 Gmaj7 D C/B
Bows and flows of angel hair, and ice cream castles in the air, And feather canyons everywhere-I've looked at clouds that way. But now they only block the sun, they rain and snow on everyone. So many things I would have done, but clouds got in the way.
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RiverG D C Em AmPas de barré
It's coming on Christmas, they're cutting down trees They're putting up reindeer and singing songs of joy and peace Oh I wish I had a river I could skate away on But it don't snow here, it stays pretty green I'm going to make alot of money then I'm going to quit this crazy scene
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CaliforniaE A B F# Asus4 Bsus4
Sitting in a park in Paris France reading the news and it sure looks bad They won't give peace a chance, that was just a dream some of us had Stole a lot of lines to sing but I wouldn't want to stay here It's too old and cold and settled in its ways here
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BlueBm A Em GPas de barré*
Songs are like tatoos You know iv been to sea before Crown and anchor me, or let me Sail away Hey blue
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All I WantEm G D D7 F C
I on lonely road and I travelling, travelling travelling travelling. Looking for some-thing; what can it be? Oh, I hate you some, I hate you some, I love you some. Oh, I love you, when I for-get about me.
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Little GreenC G Dm7 Cmaj7 F Eb
This is simplified version of another tab The first is just passing bass note before the , the second is the Chord if desired or played as G's seem to be absent in other transcriptions but can make it more rythmically playable for us average fellas, Or not, to each ones own.
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WoodstockAm D GPas de barré
I came upon a child of God He was walking along the road And I asked him "where are you going" This he told me I'm going down to Yasgur's farm
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My Old ManD A E Am7 A7 E7
My old man He's a singer in the park He's a walker in the rain He's a dancer in the dark We don't need no piece of paper
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CareyD A GPas de barré
The wind is in from africa Last night i couldnt sleep Oh you know it sure is hard to leave here,carey But its really not my home
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The Circle GameA D E C#m
Yesterday a child came out to wonder Caught a dragonfly inside a jar Fearful when the sky was full of thunder And tearful at the falling of a star Then the child moved ten times 'round the seasons
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The Last Time I Saw RichardG Am A7 Em C F
These are almost definitely not the chords she plays, but I think they work. I threw in some The last time I saw Richard was Detroit in '68 And he told me all romantics meet the same fate someday Cynical and drunk and boring someone in some dark café You laugh he said you think you're immune
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CoyoteDm9 F Bb5 G
[Chords] Cadd9 x3203x Csus4 x3301x Bb5 x13xxx
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AmeliaG F C Bb Bm G4
I was driving across the burning desert When I spotted six jet planes Leaving six white vapor trails across the bleak terrain It was the hexagram of the heavens It was the strings of my guitar
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This Flight TonightG Ab C Db Gmaj7 Am11
Song: This flight tonight Artist: Joni Mitchell Composer: Joni Mitchell Album: Blue Tabbed by DJ ('DiddyD' on ultimateGuitar.com) 3rd June 2019
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Help MeGmaj7 Fmaj7 a Cmaj7 Dmaj7
[Verse] Amaj Em7 Help me, I think I'm falling In love again. When I get that crazy feeling, I know I'm in trouble again,
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Cactus TreeD A a A7 F#
Chords: D [OOOOOO] Asus4/D [O4O3OX] Gadd9/D [O2O1OO]
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For FreeF / C G Em7 Am7
I slept last night in a good hotel I went shopping today for jewels The wind rushed around the dirty town And the children let out from their schools
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Free Man In ParisG C Bb F Eb Gsus4
The way I see it he said you just can't win it Everybody's in it for their own gain you can't please 'em all There's always somebody calling you down I do my best and I do good business There's a lot of people asking for my time
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Chelsea MorningD G Am Em APas de barré
[Verse 1] Woke up, it was a Chelsea morning, and the first thing that I heard. Was a song outside my window, and the traffic wrote the words. It came ringing up like Christmas bells, And rapping up like pipes and drums.
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Ladies Of The CanyonC G9 G D F E
C Cadd4 C7add4 C9add4 C6add4 C6add9 C Cadd4 Trina wears her wampum beads, she fills her drawing book with line C Cadd4 C7add4 C9add4 C6add4 C6add9 C Cadd4 Sewing lace on windows' weeds and filigree on leaf and vine C7add4 C9add4 C6add4 C6add9 C7add4 C9add4 A6/7sus4
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Peoples PartiesD A G Dmaj9 C Bm7
All the people at this par-ty They’ve got a lot of style They’ve got stamps of many coun-tries They’ve got passport smiles
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Court And SparkE A D G C Em7
I'm 100% sure these chords are completely accurate. I've played this song on the piano Many times and it sounds awesome. From: Josh ([email protected]) Date: 8/16/05 7:15PM
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You Turn Me On Im A RadioD G APas de barré
[Verse] If you're driving into town With a dark cloud above you Dial in the number Who's bound to love you
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Down To YouD G A E F#m7 C
Everything comes and goes Marked by lovers and styles of clothes Things that you held high and told yourself were true Lost or changin’ as the days come down to you
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The Hissing Of Summer LawnsGmaj7 Bm7 A13 Cmaj7 B Bbmaj7
The Dmin7no5 played in each turnaround sounds best played as a quartal harmony, so playing the fourth in place Of the fifth. In general, if you know anything about quartal harmony, this is a good place to apply it, due to The clear modal jazz influence present in this song. Most the chords are pretty close to being correct, at the very least they'd be valid substitutions for the Actual chords.
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The Same SituationG D/E E7 C Am D
Again and again the same situation For so many years Tethered to a ringing telephone In a room full of mirrors A pretty girl in your bathroom
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I Had A KingA Fmaj7 Am7 E Em7
[Verse] I had a king in a tenement castle A7sus2 Asus2 Lately he's taken to painting the pastel walls brown He's taken the curtains down
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Furry Sings The BluesGm9 Eb5 F5 C F Bb
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # From: [email protected] (Howard Wright)
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ConversationE D5 D F A B
D5 D5addC# Dsus4 Asus4 D5 D5addC# Dsus4 Asus4 He comes for conversation, I comfort him sometimes Comfort and consultation, he knows that's what he'll find D5 D5addC# Dsus4 Asus4 D5 D5addC# Dsus4 Asus4 I bring him apples and cheeses, he brings me songs to play
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For The RosesG Cm F Gb5 C G7
Gsus4 G G6b5 I heard it in the wind last night It sounded like ap-plause Did you get a round resounding For you way up here?
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Sex KillsF#m7 G D E9 Bm7 C
I pulled up behind a Cadillac, we were waiting for the light And I took a look at his license plate, it said "JUST ICE" Is justice just ice? Governed by greed and lust? Just the strong doing what they can and the weak suffering what they must?
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TwistedD9 G9 Em7 A7 B7 D
My analyst told me that I was right out of my head The way he de-scribed it he said I’d be better dead than live I didn’t listen to his jive I knew all along that he was all wrong And I knew that he thought
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Blue Motel RoomF G C6/9 Eb F13 Db
I've got a blue motel room with a blue bedspread I've got the blues inside and outside my head Will you still love me When I call you up when I'm down
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That Song About The MidwayE A D B G#m
I met you on a midway at a fair last year And you stood out like a ruby in a black man's ear You were playing on the horses, you were playing on the guitar strings You were playing like a devil wearing wings
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I Don't Know Where I StandG C9 Cmadd4 Amadd4 D B
Funny day, looking for laughter and finding it there Sunny day, braiding wild flowers and leaves in my hair Picked up a pencil and wrote "I love you" in my finest hand Wanted to send it but I don't know where I stand
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Raised On RobberyC F G E Bb
[Prelude] He was sittin’ in the lounge of the empire hotel He was drinkin’ for diversion he was thinkin’ for himself A little money ridin’ on the maple leafs Along comes this lady in lacy sleeves she says
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Morning MorgantownE E4 A E5- B C
When morning comes to Morgantown, the merchants roll their awnings down The milktrucks make their morning rounds in morning, Morgantown We'll rise up early, with the sun, to ride the bus while everyone Is yawning and the day is young in morning, Morgantown
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Edith And The KingpinG C Ebmaj7
The big man arrives Csus4/G Ab69 Disco dancers greet him Bbsus4/F Plainclothes cops greet him
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Rainy Night HouseDm Bb Am A G C
I couldn't find the chords to this song anywhere, so I figured it out myself. Not all Chords are completely accurate, but it sounds great when you play it. I did not Decipher the intro to the song. Help would be great! -Erica
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WillyE A9 A D9 D F#m
Willy is my joy, he is my sorrow Now he wants to run away and hide He says our love cannot be real He cannot hear the chapel’s pealing silver bells But you know it’s hard to tell
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Woman Of Heart And MindB Emaj7 Amaj7 C#7 F# F#7
I am a woman of heart and mind With time on her hands No child to raise You come to me like a little boy And I give you my scorn and my praise
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Car On A HillE F#m7 G F# A D
I’ve been sit-ting up wait-ing for my sug-ar to show E7sus4 A/D I’ve been list- ening to the sirens and the ra-dio He said he’d be o- - ver three hours a-go E7sus4 A/D
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Trouble ChildC G F7 Am7 Bb G7/B
Up in the sterilized room Where they let you be lazy Know-ing your attitudes are wrong And you gotta change, and it?s not easy
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Just Like This TrainC G F7 A Bb B
I?m al-ways running behind the time Just like this train Shaking into town With the brakes com-plai-ning
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Michael From MountainsD a Gm6 Em7 G Bm
{title:Michael from Mountains} {st:Joni Mitchell} {define: Gm6 1 3 3 3 2 -1 3} [D]Michael wakes you up with sweets, He takes you up [Gm6]streets, and the rain comes [D]down.
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Blue BoyG Am Dm C FPas de barré*
Sometimes in the evening He would read to her Roll her in his arms And give his seed to her She would wake in the morning
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Song To A SeagullC Bb Bbm Gm Cm F
Fly silly seabird No dreams can possess you No voices can blame you For sun on your wings My gentle relations
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Shades Of Scarlet ConqueringAm7 Bm7 G C Dm7 F
Out of the fire like Catholic saints Comes Scarlett and her deep complaint Mimicking tenderness she sees In sentimental movies A celluloid rider comes to town
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MarcieG D A7 Gm7 C Gmaj7
I am fairly sure I've got the chord shapes right or this one..... However, the names are a different story altogether. .....if someone could correct the mistakes I may have made In the names I'd appreciate it
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BanquetA E D Em Am F
Come to the din-ner gong The ta-ble is lad-en high Fat bel-lies and hun-gry little ones Tuck your napkins in and take your share
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Urge for GoingA G D Em C E
I awoke today and found The frost perched on the town It hovered in a frozen sky Then it gobbled summer down When the sun turns traitor cold
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Sweet BirdG C F Bm7 Em7 A
Cadd9 Em9 Out on some borderline Some mark of in between I lay down golden in time And woke up vanishing
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Night In The CityE E6 F#m11 A E5 B
Light up, light up, light up your lazy blue eyes Moon's up, night's up, taking the town by surprise Night time, night time, day left an hour ago City light time, must you get ready so slow There are places to come from and pla- ces to go
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The DawntreaderD Dm7 Bm G Bb D7
D Dm7 D7sus4 Peridots and periwinkle blue medallions Gilded galleons spilled across the ocean floor D Dm7 D7sus4 Treasure somewhere in the sea and he will find where
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Let The Wind Carry MeGm7/D F/D D/E Em Em7 D
Papa?s faith is people, Mama, she believes in cleanin?. Papa?s faith is in peo- - -ple, Ma- -ma, she?s al- - - - - -ways clea- - - -nin? Papa brought home the sugar,
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Blonde In The BleachersA E G Bm7 F D
“Blonde in the Bleachers” By Joni Mitchell Tabbed by Robin Young [email protected]
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BarangrillEb Abm Bbm Fm Gm Db
Verse 1: Three waitresses all wearing black diamond earrings Talking about zombies and Singapore slings No trouble in their faces, not one anxious voice None of the crazy you get from too much choice
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See You SometimeF C Cmaj7/F A G/C G
Why do you have to be so jive? Okay, hang up the phone It hurts, but some-thing survives Though it?s un- -der-mined
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Slouching Towards BethlehemD G Bm A D7 Gm
[Verse 1] Turning and turning Within the widening gyre The falcon cannot hear the falconer Things fall apart
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ElectricityG Am7 F6 G7
G1 G7sus4 Am7 The mi- - nus is love-less, G2 G7sus4 He talks to the land
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Nathan La FraneerGm Dm G Cm C Bb
I hired a coach to take me from confusion to the plane And though we shared a common space I know I'll never meet again The driver with his eyebrows furrowed in the rear-view mirror I read his name and it was plainly written Nathan La Franeer I asked him would he hurry
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Sisotowbell LaneD G D6 Am C Bm
Sisotowbell Lane Noah is fixing the pump in the rain He brings us no shame We always knew that he always knew Up over the hill
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Night Ride HomeC F G Em B
[Verse 1] Once in a while In a big blue moon There comes a night like this Like some surrealist
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The Pirate Of PenanceBbm Bb D Cm Dm7 Abm
PENANCE CRANE: The pirate anchored on a Wednesday And why he came to port I wonder To see a lady so my friends say She dances for the sailors
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BorderlineB E A F# C#m B7
Everybody looks so ill at ease So distrustful so displeased Running down the table I see a borderline Like a barbed wire fence
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JerichoA G F E D Fmaj7
I'll try to keep myself open up to you And approve your self-expression I need that, too, I need your confidence, baby And the gift of your extra time In turn I'll give you mine, sweet darling
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Passion Play When All The Slaves Are FreeD Em7 Am E Bm APas de barré*
Magdalene is trembling Like a washing on a line Trembling and gleaming Never before was a man so kind Never so redeeming
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The Silky Veils Of ArdorF Fm C9 C Cmaj7 Bb9
[Verse] I am a poor wayfaring stranger Traveling through all these highs and lows I heard there was no sickness And no toil or danger
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Dog Eat DogG D C F Em7 E
Dog, I'm just waking up The dove is in the dungeon And the white-washed hawks pedal hate and call it love Dog eat dog Holy hope in the hands of
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Good FriendsD E A F# G C
In the dance halls and the galleries Or betting in the OTB Synchro nized--like magic Good friends you and me
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Yvette In EnglishG F Am E C D
First time posting, please forgive any inaccuracies. Having forgotten what little music theory I ever knew, I have no idea what the chords are really called, but here Are their shapes, and the tuning, as I hear it. This is the Barest skeleton of what joni plays, but by using this tuning, the
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Tax FreeA E G Dm6 F D
Verse #1 Aadd9 Front rooms Back rooms Slide into tables
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Last Chance LostBb F Db Eb Ab C
#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # From: [email protected] (Howard Wright)
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Day After DayCm Gm Eb Cm7 C9 C
This is tabbed from the original demo of the song (Mitchell's first, recorded August 24th 1965), Released officially October 2nd 2020 in advance of the Archives Vol 1: The Early Years album. The recording is linked here: https://youtu.be/1YOus2_u9sg To my ear, this seems to be in standard tuning. Another version popped up later, in a new key, with added stanzas,& in er more characteristic an open tuning. This version could be simplified by transposing down 3 steps (Am) & adding a capo on the 3rd fret,
D'abord folklorique, puis expérimentaliste de jazz, Joni Mitchell a apporté un regard aiguisé, un toucher léger et une voix agile à ses chansons, qui ont souvent disséqué ses amours et mis en cause les gouvernements myopes. De nombreux musiciens - de Tori Amos à Prince, de Joanna Newsom à Iron & Wine et même Michael Hedges - ont reconnu son influence.