The Smiths
Accords et partitions
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There Is A Light That Never Goes OutAm Am/G F G C
Intro: Take me out tonight Where there's music and there's people
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This Charming ManF#m7 Dmaj9 Bm7 D A B9
Punctured bicycle On a hill side desolate, Will nature make a man of me yet When this charming car This charming man
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I Know It's OverG F C Am7 Em B
Oh mother, I can feel the soil falling over my head And as I climb into an empty bed Oh well, enough said I know it's over still I cling I don't know where else I can go, mother
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How Soon Is NowF# A D C#m E B
I am the son and the heir Of a shyness that is criminally vulgar I am the son and heir Of nothing in particular
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Bigmouth Strikes AgainAm F G C DmPas de barré*
And now I know how Joan of Arc felt Now I know how Joan of Arc felt As the flames rose to her roman nose And her Walkman started to melt
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Heaven Knows I'm Miserable NowA B E C#m F#m Bm
I was happy in the haze of a drunken hour But heaven knows I'm miserable now I was looking for a job, and then I found a job And heaven knows I'm miserable now
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AsleepFm7 G G7 G6 C Am
Sing me to sleep Sing me to sleep I'm tired and I
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The Queen Is DeadB D E G A G#m
INTRO: Farewell to this land's cheerless marches Hemmed in like a boar between arches Her very Lowness with her head in a sling I'm truly sorry but it sounds like a wonderful thing
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Cemetery GatesD C G Em Bm Gmaj7
A dreaded sunny day So I meet you at the cemetery gates Keats and Yeats are on your side A dreaded sunny day So I meet you at the cemetery gates
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Please, Please, Please, Let Me Get What I WantA D G Gmaj7 Dmaj7 F#m
Good times for a change See the look I've had could make a good man turn bad So please please please let me let me let me let me Get what I want this time
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This Night Has Opened My EyesG Bm A Dmaj7 F#m7 Em
The dream has gone But the baby is real Oh, you did a good thing She could have been a poet Or, she could have been a fool Oh, you did A bad thing And I'm not happy And I'm not sad
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PanicEm G D C Bb F
Panic on the streets of London Panic on the streets of Birmingham I wonder to myself Could life ever be sane again On the Leeds side streets that you slip down
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Some Girls Are Bigger Than OthersA C#m B F#m G#m E
Some girls are bigger than others Some girls are bigger than others Some girl's mothers are bigger than Other girl's mothers
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Frankly Mr ShanklyG Am F C Eb
Frankly, Mr. Shankly, this position I've held It pays my way, and it corrodes my soul I want to leave, you will not miss me I want to go down in musical history
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Reel Around The FountainE A D F#m Gmaj7 Bm7
It's time the tale were told Of how you took a child And you made him old It's time the tale were told Of how you took a child
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AskG C D Am EmPas de barré
Shyness is nice and Shyness can stop you From doing all the things in life You'd like to
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The Boy with the Thorn in His SideD C Am7 G Am Cmaj7
The boy with the thorn in his side Behind the hatered there lies A murderous desire For love
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Still illG Am F Em
I degree today that life is simply taking and not giving England is mine and it owes me a living But ask me why and i'll spit in your eye Oh ask me why and i'll spit in your eye But we cannot cling to the old dreams anymore
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What Difference Does It MakeD E A F#m C G
Song: What Difference Does It Make? Artist: The Smiths Album: The Smiths/Singles Transcribed by Vivek Ayer Date: 22-June-2007
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Hand In GloveG Em7 Cmaj7 C
[Verse 1] Em7 A7sus2 C Hand in glove The sun shines out of our behinds Em7 A7sus2
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Pretty Girls Make GravesA D Bm F#m C#m Ab
Upon the sand, upon the bay "There is a quick and easy way" you say Before you illustrate I'd rather state: "I'm not the man you think I am
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The Headmaster RitualE G# Amaj7 B A G6
E Standard B Standard G tune up to G# D tune up to 6E A tune up to 7B
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Last Night I Dreamt That Somebody Loved MeEm C Cm Bm7 B7 Am
Last night I dreamt ... that somebody loved me No hope, no harm ... just another false alarm Last night I felt real arms around me No hope, no harm ... just another false alarm
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That Joke Isn't Funny AnymoreE A G B F# D
Park the car at the side of the road You should know Time's tide will smother you And I will too When you laugh about people who feel so
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I Want The One I Can't HaveC D Bm Em Am G
Verse (RAPIDO) On the day that your mentality (RAPIDO) Decides to tryyy a ha ha yyy to catch up with your biology
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Half A PersonE Bm A G Gb Esus4
RIFF 1 RIFF1 RIFF1 Call me morbid, call me pale. I've spent six years on your trail
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Meat Is MurderF Am D E A G
[Verse] Heifer whines ... could be human cries Closer, comes the screaming knife This beautiful creature must die ... this beautiful creature must die A death for no reason, and death for no reason is murder
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William It Was Really NothingG A Bm D Dmaj7 F#
The rain falls hard on a humdrum town This town has dragged you down Oh, the rain falls hard on a humdrum town This town has dragged you down Oh, no, and everybody?s got to live their life
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A Rush And A Push And The Land Is OursDm Bb C Eb A Dm7
He------------llo, I am the ghost of troubled Joe Hung by his pretty neck some eighteen months ago I travelled to a mystical time zone And I missed my bed and I soon came home
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Never Had No One EverAm F G Dm7 Em7 E
When you walk without ease on these Streets were you were raised, I had A really bad dream. It lasted
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Youve Got Everything NowA F#m E B C#m D
[Bridge] But you've got everything now You've got everything now And what a terrible mess I've made of my life Oh, what a mess I've made of my life
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Suffer Little ChildrenDmaj7 Amaj7 Bm7 E C#m7 G#m7
[Verse] Over the moors, take me to the moors Dig a shallow grave and I'll lay me down Lesley-Anne with your pretty white beads Oh John, you'll never be a man
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Well I wonderA Gmaj7(9+) G Bm7 Em D
Intro: Well I wonder...do you hear me when you sleep? I...hoarsely cry
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Handsome DevilG A Bm F#m D
All the streets are crammed with things Eager to be held I know what hands are for And I'd like to help myself You ask me the ti-ime
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Girlfriend in a ComaD C G EmPas de barré
Girlfriend in a coma, I know, I know, it's serious My, my, my, my, my, my, my baby goodbye There were times when I could have strangled her But you know I would hate anything to happen to her Would you please let me see her ?
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Stop Me If You Think You've Heard This One BeforeC Gm D# F G G#
Stop me, oh, stop me Stop me if you think that you've Heard this one before Stop me, oh, stop me Stop me if you think that you've
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Barbarism Begins At HomeEm A G C D Em6
Emadd9 Em* * Dsus4 * Dsus4 * Dsus4 * Dsus4
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Nowhere FastG F#m Em F#4 A Bm
I'd like to drop my trousers to the world I am a man of means, of slender means Each household appliance Is like a new science in my town And if the day came when I felt a natural emotion
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Vicar In A TutuE C#m A B
I was minding my business lifting some lead off The roof of the Holy Name Church It was worthwhile living a laughable life Just to set my eyes on a blistering sight Of a vicar in a tutu
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I Dont Owe You AnythingC7 G F7 Bb7 Am7 B7
[Chorus] Did I really walk all this way Just to hear you say: "Oh, I don't want to go out tonight" "Oh, I don't want to go out tonight"
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Rusholme RuffiansD Bm A G# G
[Verse 1] The last night of the fair By the big wheel generator A boy is stabbed and his money is grabbed and the air hangs heavy like a Dulling wine
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UnloveableG A D C F#m Em
Intro: , , , (twice) I know I'm unloveable,
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Rubber RingAm F Em G A11 Am7
[Verse 1] A sad fact widely known The most impassionate song to a lonely soul Is so easily outgrown But don't forget the songs that made you smile
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The Hand That Rocks the CradleF# B C# G C D
Please don?t cry - - música fica do começo ao fim assim For the ghost and the storm outside Will not invade this sacred shrine Nor infiltrate your mind
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Miserable LieG Am C F F#
I know i need hardly say How much i love your casual way Oh but please put your tounge away A little higher and were well away
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I won't share youC D G Am Bm Em
I won't share you I won't share you With the drive The ambition And the zeal I feel
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Girl AfraidEm A D B C#m C#m7
Girl Afraid where does his intentions lay? Or does he even have any? She said 'he never really looks at me I give him every opportunity In the room downstairs he sat and stared
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I Started Something I Couldnt FinishE F D Gb C#m C#
I Started Something I Couldn’t Finish The Smiths, Strangeways Here We Come, 1987 (Intro)
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Shoplifters Of The World UniteC G D E Am APas de barré
Learn to love me assemble the ways Now today tomorrow and always My only weakness is a listed crime My only weakness is well nevermind Nevermind CHORUS: Shoplifters of the world Unite and take over
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These Things Take TimeD Em C G A B
Em D Asus My eyes have seen the glory of the sacred wunderkind D Asus B You took me behind a disused railway line D Asus
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What She SaidD A C E Bm G
What she read, all heady books, she'd sit and prophesise, It took a tattooed boy from Birkenhead, to really really open her eyes What she read, all heady books, she'd sit and prophesise, It took a tattooed boy from Birkenhead, to really really open her eyes
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Paint A Vulgar PictureF E D G A Am
[Verse 1] At the record company meeting, On their hands: a dead star. And ooh, the plans that they weave, And ooh, the sickening greed.
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Death of a Disco DancerB A G#m G E
The death of a disco dancer Well, it happens a lot round here And if you think peace is a common goal Well, that goes to show Just how little you know
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Unhappy BirthdayD F G Bb C Cmaj7
I've come to wish you an unhappy birthday I've come to wish you an unhappy birthday Because you're evil and you lie and if you should die I may feel slightly sad but I won't cry
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Back to the Old HouseC F Am7 D9 G F9
I would rather not go Back to the old house I would rather not go Back to the old house
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Sweet And Tender HooliganBb C Dm Gm Am
4/4 Key of F Major. He was a sweet and tender hooligan And he swore that he's never never do it again and of couse he won't Not until the next time....
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Stretch Out And WaitC G6 G Fmaj9 Am Em
On the high-rise estate What's at the back of your mind? Oh, the three day debates on a high-rise estate What's at the back of your mind?
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Sheila Take a BowD E C F#m A B
Is it wrong to want to live on your own? No, it's not wrong - but I must know How can someone so young
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Shakespeare SisterD G C E A Am
Young bones groan And the rocks below say : "Throw your skinny body down, son !" But I'm going to meet the one I love
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Accept YourselfB A E D Bsus2 G#m
Every day you must say So, how do I feel about my life? Anything is hard to find When you will not open your eyes When will you accept yourself?
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Is It Really So Strange ?E B A G#m C#m F#m
I left the North I traveled South I found a tiny house I can~t help the way I feel Oh yes you can kick me
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You Just Havent Earned It Yet BabyB A E C#m C D
[Verse] If you're wondering why All the love that you long for eludes you And people are rude and cruel to you I'll tell you why
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Oscillate WildlyG F Fmaj7 Am C Em7
[Instrumental] (Play 4 times) | | | dim7 | | dim7 |
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LondonF# E5 B5 D5 F#m C#m
Riff Smoke lingers ~round your fingers Train, heave on-to Euston Riff Do you think you~ve made the right decision this time?
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Wonderful WomanAm G F Dm Em C
Here her head, she lay Until she'd rise and say : "I'm starved of mirth; Let's go and trip a dwarf"
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Death At Ones ElbowA5 A D E F G
Oh, Glenn, don't come to the house tonight Oh, Glenn, oh, Glenn Don't come to the house tonight Oh, Glenn Because there's somebody here who really, really loves you
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Golden LightsG C FPas de barré*
Chorus: Golden lights displaying your name Golden lights it's a terrible shame But oh my darling WHY DID YOU CHANGE ?
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Money Changes EverythingAm F G Em Dm
Song: Money Changes Everything Band: The Smiths Single: Bigmouth Strikes Again Year: 1986 Tabber: [email protected]
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JeaneD A GPas de barré
Jeane The low-life has lost its appeal And I'm tired of walking these streets To a room with a cupboard bare
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I Keep Mine HiddenF C Am Dm Bb E
[Verse] Hate, Love and War Force emotions to the fore But not for me of course, of course I keep mine hidden
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Work Is A Four Letter WordE D F#m A G Bm7
Capo on 2nd fret [Chords] [Intro]
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What Do You See In HimAm Em Dm C G F
Verse 1 Oh, the nights are too long When the questions are long I tried, But I will never understand
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Whats The WorldE G#m A E6
Esus4 What would you sell? Loose glasses and suit Heart and soul Won't wear out
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The Draize TrainEm Em9 A9
[CHORDS] Cadd9 X32030 Cmaj7 X32000 Asus4 X02200 Dsus4 XX0233
Les Smiths sont devenus l'un des groupes les plus influents de tous les temps en mélangeant les matrices de guitares luxuriantes de Johnny Marr et la voix mélancolique de Morrissey - un poète sexuellement ambigu dont le chant à la fois grinçant et délicat faisait paraître la plupart des autres frontmen britanniques des années 80 tout à fait normaux (et ennuyeux) - Rolling Stone